Thursday, October 23, 2008

New Ruthless Cosmopolitan column: Jewish Spaces and Places

My new Ruthless Cosmopolitan column is online -- a bit late because of the Jewish holidays...



Places and spaces: Exploring
what makes up the Jewish tapestry
Ruth Ellen Gruber
Avner Gruber, the first cousin once removed of Ruth Ellen Gruber, visits a Jewish cemetery in Hamburg, Germany.

By Ruth Ellen Gruber

ROME (JTA) – We’ve all played the “Jewish geography” game – you know, questioning someone we’ve only just met in order to discover common Jewish connections, friends or even family.

In doing so, we are mapping out our experiences, delineating a sort of Jewish topography of interlinking backgrounds, histories and far-flung mishpocha.

Somehow I feel a sense of profound satisfaction when I discover an unexpected link with a stranger. It’s like a gift, an almost magical sense of communion with the densely woven tapestry of Jewish life – or at least with an individual or a place that helps make up that tapestry.

The idea of Jewish topography and the spaces and places – physical and metaphysical – in which Jews live, dream and interact forms the basis of a fascinating new book.

“Jewish Topographies: Visions of Space, Traditions of Place” (Ashgate Publishing House, 2008) is a collection of essays by a score of international scholars who participated in a six-year research project at the University of Potsdam in Germany.

Called Makom, or “place” in Hebrew, the project aimed to explore the relevance of space and place in Jewish life and culture.

In my own writing, I have dealt frequently with “Jewish space” in the way that the Paris-based historian Diana Pinto framed it. She coined the term in the 1990s to describe the place occupied by Jews, Jewish culture and Jewish memory within mainstream European society, regardless of the size or activity of the local Jewish population.

“There is a Jewish space in Europe that will exist even in the absence of Jews,” she said. “The ‘Jewish thing’ is becoming universal.”

Pinto’s thesis was a spark for my own explorations of the often intense relationship between non-Jews and Jewish culture in Europe. I coined the term “virtually Jewish” to describe how non-Jews often “fill” Europe’s Jewish space with their own ideas and operations.

“Jewish Topographies” takes a much different approach.

It regards Jewish space from within the Jewish world rather than from the virtually Jewish perspective of outside interaction. It sees Jewish spaces as actual environments that are shaped by Jews, where Jewish life may be rooted and where Jewish activities go on.

“Jewish things” happen there and often, in turn, define the identity of the physical places where they are happening.

One of the goals of the project, the book’s editors write, was to counteract stereotypes that long have conveyed “the pervasive impression that the Jewish experience – except the Israeli one – is one of profound displacement, lacking not only a proper territory but also a substantial spatiality or attachment to place.”

They mean stereotypes such as the description of Jews as the “People of the Book” and of the book itself as the Jews’ “portable homeland,” not to mention the widespread cliche of the “wandering Jew.”

I must admit that I myself actually fulfill some of these stereotypes. I have lived in seven or eight countries, and even now I spend a good deal of time on the road. Yet I generally feel comfortable wherever I am, usually wishing I could stay longer in almost every place I visit.

Rarely do I feel “homesick,” yet I have deep attachments to place and certain places. Despite living overseas most of my life, the United States, in all its grandeur, remains my homeland.

And perhaps it’s a variant of the Jewish geography game that I do feel a special affinity for the landscapes, climate, food and even architecture in East-Central Europe, from where my ancestors came.

“Jewish Topographies” goes far beyond geography. Its chapters examine very different, and sometimes unusual, places where Jewish experience is strongly linked, physically or emotionally, to specific environments.

Most deal with concrete settings: Jews defiantly (and astonishingly) cultivating gardens in the midst of World War II ghettos. Jews hiking and kayaking through the pre-war Polish countryside to gain connection with the land in which they live. The architectural and spatial symbolism of the eruv in contemporary Germany. The impact of what Jews eat, and the creation of definable Jewish “foodscapes.” A “map” of the new alternative Jewish subcultures that have emerged recently in Budapest.

The book also includes an epilogue that expands the concept of Jewish space into areas that only recently opened up for exploration. Called “Virtual Jewish Topography,” it chronicles the creation and growth of Judaism in the online cyberworld known as Second Life, starting with the creation of Beth Israel, the first Second Life synagogue, in August 2006.

Its author, Julian Voloj, tells a fascinating story of avatars, screen names and self-selected identities as he charts the development of synagogues, Jewish institutions, Jewish cultural activities and Jewish neighborhoods – even anti-Semitic incidents – in a world that in a sense is real but also quite imaginary.

“How does one describe a place that does not ‘really’ exist and that can be changed by a simple mouse click?” he writes. “And how does one describe a culture in transition?”

I’ve known the German-born Voloj for several years. He is a writer, photographer and former Jewish student leader who now works for the American Jewish Joint Distribution Committee. We’re Facebook friends and generally stay in touch online. But in addition to his expertise in novel Jewish topographies, he’s also adept at playing classic “Jewish geography.”

Indeed, I was pleased to learn not long ago that Voloj’s grandmother turns out to be a close friend in Hamburg of my own first cousin once removed.

(Ruth Ellen Gruber’s books include “National Geographic Jewish Heritage Travel: A Guide to Eastern Europe,” “Letters from Europe (and Elsewhere),” and “Virtually Jewish: Reinventing Jewish Culture in Europe.")



READ THE FULL ARTICLE on the JTA site

Tuesday, October 14, 2008

My IHT Article on Chopin in Warsaw

Here's a link to my latest piece in the International Herald Tribune, on preparations for Fryderyk Chopin's bicentennial.


(Bus stop ad for a Warsaw Chopin Festival, Sept. 2008. Photo (c) Ruth Ellen Gruber)



Poland prepares for Chopin's bicentennial

By Ruth Ellen Gruber

Published: October 13, 2008


WARSAW: Plans are well under way for a year of celebrations to mark the upcoming bicentennial of one of Poland's favorite native sons - Frédéric, known here as Fryderyk, Chopin.

The Polish Sejm, or Parliament, has declared 2010 the Year of Fryderyk Chopin, and special concerts, recitals, conferences and other events will honor the great Romantic composer, who was born near Warsaw in 1810.

The prestigious International Chopin Competition for pianists will mark its 16th edition in October 2010. Held every five years, the competition draws scores of young musicians from all over the world. In addition, Warsaw's Chopin Museum, with the world's largest collection of Chopin documents and other artifacts, will undergo a total redesign, modernization and expansion.

A lavishly illustrated new guidebook called "Chopin's Poland" was already published this year. It leads visitors to dozens of sites in Warsaw and elsewhere around the country where the composer lived, ate, studied, performed, visited or even partied.


Read the Full Story

Sunday, October 5, 2008

Ray Benson Wins 2008 Les Paul Award

Just a coda to my profile of Ray Benson I posted the other day.... Ray has just been awarded the TEC Awards-2008 Les Paul Award presented by the Mix Foundation for Excellence in Audio.

Named for one of the industry's most revered personalities, the Les Paul Award was created in 1991 to honor individuals or institutions that have set the highest standards of excellence in the creative application of recording technology.

Previous winners include Paul McCartney, Sting, Bruce Springsteen, Al Kooper, Steve Miller and other leading names in (mainly) rock and pop music.

The Awards announcement says Ray "is the ultimate modern multi-hyphenate—bandleader-singer-songwriter-multi-instrumentalist-producer-studio owner-engineer-businessman-raconteur-father-real tall guy. The last one came naturally; the rest he’s had to work at, and he’s good at all of them!"

Mazel Tov, Ray!

Thursday, October 2, 2008

A Jewish singer towers over country western scene

This isn't a Ruthless Cosmopolitan column, but I'm posting it anyway....





(Ray Benson onstage in Craponne. Photo (c) Ruth Ellen Gruber.)


By Ruth Ellen Gruber Published: 09/26/2008

CRAPONNE SUR ARZON, France (JTA) -- Think Jews and country music and you'll probably come up with Kinky Friedman, the cigar-chomping frontman of the iconoclastic Texas Jewboys, who is also a humorist, mystery novelist and failed but flamboyant candidate for Texas governor.

The real Jewish king of country music, however, is Ray Benson, the nine-time Grammy-winning leader of the country western swing band Asleep at the Wheel.

At 6-foot-7, Ray Benson has been described as a "Jewish giant" and "the biggest Jew in country."

He literally and figuratively towers over the stage in a Stetson and fancy tooled boots, with a grizzled beard and long, thinning hair pulled back in a pony tail.

"I saw miles and miles of Texas, all the stars up in the sky," he sings in his deep, mellow baritone. "I saw miles and miles of Texas, gonna live here 'til I die."

Now 57, Benson was born in Philadelphia but has lived in Austin for 35 years. He talks with a twang, plays golf with Willie Nelson, has recorded more than 30 albums and was named Texas Musician of the Year in 2004.

By his own estimate, he is the only Jewish singing star in the country western scene.

"Kinky's not a country western singer -- he's Kinky!" Benson laughed during a conversation with JTA this summer at the annual Country Rendez-vous festival in south-central France, where Asleep at the Wheel wound up a five-nation European tour.

Unlike Friedman, however, who makes playing with stereotypes part of his in-your-face persona, Benson has -- until now -- kept his religious identity out of the limelight.

"I didn't want to be known as a Jewish country western singer; I wanted to be known as a country western singer who happens to be Jewish," he said.

Read Full Story

For more pictures of Ray Benson and Asleep at the Wheel at Craponne, click HERE